By Kelly Anne Griffin In the spring of 1919, tensions boiled over in Winnipeg. Social classes were divided by both wealth and status. Labourers gathered in a common front, and ideas about workers’ rights spread. Canada’s largest strike and its greatest class confrontation began on May 15. Even though changes were slow to come in the […]
As much as I like going to museums and art galleries, I sometimes struggle with the question of what these institutions contribute to the world. And I know museum and gallery professionals struggle with this question too. Sometimes people just need a place where they can look at or interact with something that gives them new ideas or new insights, or makes them see the world in a different way. Museums and art galleries can be that place. But while I certainly disagree with the business-oriented operational model that demands tangible and measurable outcomes – because that model assumes that if it can’t be measured, it doesn’t exist – I do wonder sometimes whether museums and galleries can use their resources to have a more visible impact outside their own walls.
So I was very excited to read about an art exhibition which will have a tangible external impact. (more…)
When I took an art history course about Modernism, one of the subjects that I most enjoyed learning about was the Modernist photographs of industry and urbanization in the 1920s and 1930s. The work of photographers such as Charles Sheeler, Paul Strand, and E. O. Hoppé showed the unexpected beauty and majesty of purely functional structures. And the work of photographers such as Lewis Hine showed the humanity of the workers whose contributions were often overlooked in celebrations of industrial and economic growth.
Open for Business, an exhibition that is currently touring the UK, contributes to this grand tradition of photography that explores industry and commerce. When I visited the UK in April, I was lucky enough to see this show – which I stumbled across entirely by chance, (more…)
I’ve written before about different types of interactive displays at art museums, and the pros and cons of different ways museums get their visitors to think about and react to what’s on display. This past weekend, at the Dale Chihuly exhibition at the Montreal Museum of Fine Arts, I had the chance to experience yet another type of art museum interaction: a show (more…)