When I saw the description of David Weitzner’s book Fifteen Paths – “the work of a disillusioned business professor who gave up on old arguments and set out to learn about the power of imagination” – I knew this was a book I wanted to read. As the readers of this blog know, I am a business professor, and while I don’t think I would call myself “disillusioned”, I definitely have a lot of problems with the standard curriculum in business degree programs and with the negative effects of traditional business structures. ECW Press was kind enough to provide me with a review copy of the book, and I also had the opportunity to speak with David about how Fifteen Paths happened.
Professional wrestling is a fascinating industry. From my perspective as someone who does research on organizations, professional wrestling doesn’t work the way a successful industry is supposed to work, but it somehow manages to survive. There’s practices within the industry that are questionable – such as World Wrestling Entertainment’s classifying its “Superstars” as independent contractors rather than employees – and there’s things that happen in wrestling that shouldn’t happen in any kind of organization. And even though there’s a fair amount of regular turnover, as some wrestling companies close and others start up, and as wrestlers move from company to company, there always seems to be enough devoted fans for professional wrestling to keep on going.
As a kid, Al Snow was one of those devoted fans – and he went on to spend more than 35 years in the wrestling industry. I’m really happy that he’s written an autobiography, because I loved his work as a performer. However, Snow’s story is particularly intriguing, because (more…)
Questlove’s book Creative Quest is a fascinating read. It’s a book about creativity, but it’s not a “successful creative person tells you how to be like him” type of book. It’s written in a very conversational style, almost like Questlove is talking through his creative process as a way of trying to understand it himself. And unlike a lot of books about being creative, Creative Quest is presented in plain black and white – no photos, no coloured fonts, no decorations, and, apart from one small box of text at the end of each chapter, no sidebars jammed full of handy tips and tricks. I really appreciated this approach because it didn’t pull your attention in ten different directions at once. It made you focus on what was being discussed.
I don’t know Questlove’s work all that well – I’ll explain how I came to the book in a minute – but I was impressed at his wide range of interests. That he’s into so many different things may not be a surprise to someone who follows his career more closely than I do, but he knows and values a lot of different kinds of artistry. One of the creative ideas that works for him and that he suggests in the book is to push your boundaries: to seek out work that you usually avoid. If you like punk music, go (more…)
The genesis of Gemma Hartley’s new book Fed Up: Emotional Labor, Women, and the Way Forward was an essay she wrote for Harper’s Bazaar, titled “Women Aren’t Nags – We’re Just Fed Up”. The essay described her own experience of inequality in how she and her husband did, or didn’t do, housework – and the reaction to the essay showed that it wasn’t just her who was tired of doing everything. The essay went viral, and that led to the book.
Well, I’m fed up too, but not from doing emotional labour. I’m fed up with writers who grab a catchy-sounding term from social science research and misuse it for their own purposes. Hartley certainly isn’t the only author who’s done this, but what she calls “emotional labour” is clearly not what a substantial body of research says is “emotional labour”. That’s not only misleading to readers, but also insulting to the many researchers whose work has produced fascinating insights into this aspect of the workplace.
It’s telling that when Hartley mentions the first in-depth research investigation of emotional labour – Arlie Hochschild’s 1983 book The Managed Heart – she omits the book’s subtitle. The full title of the book is (more…)
I’m very pleased to announce that my summer project is complete! My new book, Song Book: 21 Songs from 10 Years (1964-74), will be released by New Haven Publishing on November 28. It can be purchased on Amazon UK, Barnes & Noble in the US, and Indigo in Canada, all of which which will ship worldwide.
I’ll be posting updates and news about the book on Facebook and on my other blog. There’s also a YouTube channel for the book, featuring playlists of the songs that are discussed in the book, along with a promotional video.
I hope you’ll check it out!
Thanks to my local public library, I recently had the opportunity to read Morra Aarons-Mele’s new book Hiding in the Bathroom: An Introvert’s Roadmap to Getting Out There (When You’d Rather Stay Home). As I’ve discussed on this blog previously, I’m not a fan of most popular-press career and business books, but the title of this one drew me in. It suggested vulnerability and something less than overwhelming self-confidence, and that’s far more representative of many people’s workplace reality than (more…)
Harry Leslie Smith is just about to turn 95, which is an accomplishment in and of itself. But he has also given a tremendous gift to the world: his new book Don’t Let My Past Be Your Future.
His publishers were kind enough to provide me with a copy of the book. Ironically, the print copy they sent by post appears to have been lost by the Royal Mail – a organization that was publicly owned for almost 500 years before it was privatized, in the belief that the private sector is inherently more efficient than the public sector. That’s exactly the kind of flawed economic reasoning that Smith condemns – the “free market” logic that says competitive markets will result in superior products and services, and that says better government is less government.
The spread of that ideology has led to decreases in the amount and availability of state-supported services, such as publicly-funded health care and social assistance. By recounting his own history, Smith shows the very real improvements that those services can bring to individual lives and to the overall well-being of society. He also strongly makes the point that governments should work for the betterment of all, not just to help the rich become richer.
Smith grew up in (more…)
I’ll be returning to posting more regularly in the next little while. But in the meantime, here’s updates on two earlier posts. (more…)
As much as I like going to museums and art galleries, I sometimes struggle with the question of what these institutions contribute to the world. And I know museum and gallery professionals struggle with this question too. Sometimes people just need a place where they can look at or interact with something that gives them new ideas or new insights, or makes them see the world in a different way. Museums and art galleries can be that place. But while I certainly disagree with the business-oriented operational model that demands tangible and measurable outcomes – because that model assumes that if it can’t be measured, it doesn’t exist – I do wonder sometimes whether museums and galleries can use their resources to have a more visible impact outside their own walls.
So I was very excited to read about an art exhibition which will have a tangible external impact. (more…)
The North American book publishing industry has been disrupted in the last couple of years. Publishers’ revenues are dropping for a number of reasons: different publishing formats, the increased ease of self-publishing, and upheavals in distribution and sales channels. And in any business, when revenues decrease, one of the first strategic responses is usually to reduce production costs. For book publishers, that can mean reducing the costs of editing or proofreading in the book production process. But cutbacks in those areas can be a false economy, if those cutbacks significantly affect the quality of the finished product. And this week I received a review copy of a book that perfectly illustrates that dilemma.