music

Songwriters on Success

As much as I love music, the process of songwriting has always been a complete and utter mystery to me. I understand how to put words together, I understand how melodies and chords work, but combining all of those into something listenable is a skill I just don’t have. And I think that’s why I’m so interested in interviews with songwriters talking about their work.

I recently finished reading Jake Brown’s book Nashville Songwriter: The Inside Stories Behind Country Music’s Greatest Hits. I have to admit that I mostly stopped listening to country music around 2005 or so. I just got tired of artists that were pushed because of their looks rather than the quality of their music. And I was fed up with too many formulaic songs about trucks, beer and girls (or guys), and “country” songs that were substandard pop songs dressed up with a fiddle or lap steel guitar. So my choices for “country music’s greatest hits” would probably be quite different from Brown’s; here’s one that would definitely be on my list.

Because I don’t pay a lot of attention to country music any more, I don’t know all of the songs and artists that are mentioned in Brown’s interviews with 20 different songwriters. But nevertheless, the book was a fascinating read – and I found it particularly interesting that (more…)

Business and Creativity: Cautionary Tales

When I worked as a music writer, one of the most fascinating things about the job was getting to see the business side of the music industry. While I met many people who genuinely believed in their company’s artists and did all they could to support them, I also regularly saw musicians and creative people get exploited. Even as a lifelong music fan, the scope and extent of this exploitation was a shock to me. Many artists’ contracts were astoundingly one-sided – and not in the artist’s favour –  and it was very easy for artists to quickly get into financial trouble, even if they were successful and smart.

Those experiences left a lasting impression on me. During the contract negotiations for the first edition of my textbook, I asked questions that my publisher’s representative later told me he had never had an author ask before. I had to explain to him that after seeing things like all the “recoupable expenses” that record companies routinely deducted from artists’ earnings, I wanted to be absolutely sure of what kind of contract I was getting into. And I also wanted to have at least some chance to make money from my work.

I don’t hold any illusions that things have gotten any better for artists in the years since I wrote about music. Taylor Swift recently got a lot of attention for boycotting Apple’s new music streaming service when she found out it wasn’t going to pay artists during its first three months of operation. Good for her for speaking up  – but there’s many, many other creative people who get ripped off and who don’t have the public profile or commercial power to demand fair treatment. Here’s two examples I recently encountered. (more…)

Musical Gifts and Kindred Spirits

In the movie Almost Famous, one of the characters gives this advice about life on the road: “If you ever get lonely, just go to the record store and visit your friends.” To me, that quote encapsulates two of the great things about being a music fan – that music itself is your friend, and that music can connect you to fascinating people all over the world. Serious music fans can be quirky and prickly, but if they recognize a kindred spirit, they can share some incredible discoveries.

I’m currently reading Respect, David Ritz’s new biography of Aretha Franklin. The book is remarkable not only for its blunt portrayal of Franklin’s life, but also for its thorough depiction of the many musical styles that influenced Franklin’s work. And what made me think about the wonderful community among music fans is the book’s description of Franklin’s early career. There are two references in there that would mean nothing to me without (more…)

Bigger than We Ever Dreamed: Some Covers of “Royals”

I first heard Lorde‘s song “Royals” the same way I hear a lot of music for the first time – at the skating rink, on a CD made by one of the younger skaters. I remember being struck by the unusual lead vocal, and by how the song was so stark and sparse – with only drumbeats and snapping fingers as instrumentation – but also so rich, with the chiming backing vocals.  However, as with many CDs at the rink, that particular CD had no label, so I couldn’t find out who did the song. I tried to describe it to one of my friends, and she said, “Oh! That’s Lorde! Her record is phenomenal, you really have to get it.” So I bought Pure Heroine, and my friend was right – it is phenomenal. And “Royals” has since won Song of the Year at the Grammy Awards, and has charted all over the world.

One of the signs of a great song is (more…)

Seeing Kate Bush

On the morning of March 21, I looked at my email and saw a message from katebush.com with the title “Pre-Sale Code”. That’s weird, I thought, an obsessed fangirl like myself would know if Kate Bush had a new record coming out, and I haven’t heard anything. What could possibly be going on sale? So I opened the message – and I screamed.

Kate Bush was going to play live.

To understand why this was such momentous news, you need to know that (more…)

Seeing Ringo

This week, I had an experience that I wasn’t sure I would ever have. I saw a Beatle play live.

The Beatles played here once, in 1964. I was way too young to go to the show, but (more…)

The Problem of Too Much Talent

This week I needed some distraction from things that are keeping me busier than usual, so I was very happy when this CD arrived in the mail.

Jellyfish are a hugely underappreciated band, and Stack-A-Tracks – the instruments-only backing tracks from the songs on the band’s two albums – just reinforces how magical it was when Jason Falkner, Andy Sturmer, Roger Joseph Manning Jr., and Chris Manning worked together. Some fans argue that what sunk Jellyfish’s career was the onslaught of grunge music in the early 1990s. Clearly grunge wasn’t the place for four guys dressed in 1960s psychedelic gear and playing melodic power pop – but I’d argue that what ultimately doomed the band was that it contained too much talent. (more…)

Dismantling the Creative Routine

Around this time last year,  Thomas Frank put forward some very pointed and accurate criticisms of the popular literature about creativity – namely, that these books and articles discussed the same examples over and over again – and wondered how much this literature could really enlighten us about creativity when it was so un-creative itself.

Now an article in Pacific Standard magazine has similarly critical things to say about another frequently discussed aspect of creativity – the “creative routine”. This, we are told, (more…)

On Commencement, and Moving Forward

In my work, it’s the time of year on campus when things are gearing up for graduation. I’ve sat through graduation ceremonies as a graduating student and as a faculty member, and I have some painful memories of very tedious, long-winded speakers who spouted cliche after cliche. But I’ve also been privileged to hear great speakers like author Antonine Maillet; at the ceremony where I received my MBA, she gave a beautiful address that was like being told an enchanting tale about the power and magic of books.

Stephen Colbert isn’t graduating from university this year, but, (more…)

Behind the Music (and Other Stuff): Creating a Skating Program

During the 2014 Winter Olympics, a lot more people than usual will be interested in figure skating. As an adult skater, I appreciate any attention that my sport gets –  but I also realize that occasional watchers don’t always know how much has to happen off the ice for skaters to look so good on the ice. So I thought I’d give some insight, from my own experiences, into how a competitive skating program is created. (more…)