creative

A Tribute to Bill Watterson’s Perspective on Success

The work of cartoonist Bill Watterson is widely loved and respected, but Watterson has had a most unconventional career path. His comic strip Calvin and Hobbes was one of the most successful cartoons of the late 1980s and early 1990s – but Watterson resisted all attempts to commercialize the strip and its characters. No animated movie, no TV series, no stuffed toys or other merchandise. And when Watterson felt the comic strip had “said all it had to say”, he graciously ended it. Other than a few unexpected projects and guest appearances since then – like in 2014,  when Watterson anonymously took over a week of Stephan Pastis’ comic strip Pearls Before Swine – Watterson has worked on whatever he wants to, whenever he feels like it, and stayed out of the public eye.

One of my friends showed me this comic by artist Gavin Aung Than, who runs a website called Zen Pencils. Than was frustrated with working in corporate graphic design, and quit his job to create a career in what he found personally rewarding: choosing inspirational quotes and drawing cartoons to illustrate them. Zen Pencil is a wonderful site; the quotes are carefully selected, and Than’s artwork is astounding – especially when he is illustrating the words of another artist (Calvin and Hobbes fans will recognize the visual reference in the last panel of this comic). Than’s commentary on his Watterson comic explains very eloquently why Watterson’s work is so highly regarded by other cartoonists, and why Than personally was inspired in his work by Watterson’s unconventional choices. Here’s Watterson’s words and Than’s images, in a beautiful and profound commentary on what “success” really looks like. (more…)

Bridging the Gap between Academic Research and Business

The Report on Business section of Canada’s national Globe and Mail newspaper invited me to write a commentary on how business people and management researchers could learn from each other. It has been a very long time since I wrote an article to a specified length and on a deadline, but it was good to use those skills again – even if at times it felt like running a marathon after doing years of five-kilometer races. Here is the finished product as it appeared in today’s paper.

Business and Creativity: Cautionary Tales

When I worked as a music writer, one of the most fascinating things about the job was getting to see the business side of the music industry. While I met many people who genuinely believed in their company’s artists and did all they could to support them, I also regularly saw musicians and creative people get exploited. Even as a lifelong music fan, the scope and extent of this exploitation was a shock to me. Many artists’ contracts were astoundingly one-sided – and not in the artist’s favour –  and it was very easy for artists to quickly get into financial trouble, even if they were successful and smart.

Those experiences left a lasting impression on me. During the contract negotiations for the first edition of my textbook, I asked questions that my publisher’s representative later told me he had never had an author ask before. I had to explain to him that after seeing things like all the “recoupable expenses” that record companies routinely deducted from artists’ earnings, I wanted to be absolutely sure of what kind of contract I was getting into. And I also wanted to have at least some chance to make money from my work.

I don’t hold any illusions that things have gotten any better for artists in the years since I wrote about music. Taylor Swift recently got a lot of attention for boycotting Apple’s new music streaming service when she found out it wasn’t going to pay artists during its first three months of operation. Good for her for speaking up  – but there’s many, many other creative people who get ripped off and who don’t have the public profile or commercial power to demand fair treatment. Here’s two examples I recently encountered. (more…)

D.F.L. (Dead F***ing Last)

When you look at competition results, there are several acronyms that you might see next to athletes’ names, such as DNQ (did not qualify), DNF (did not finish), and WD (withdrew). But there’s also an unofficial acronym, and it represents a placement that most competitors will experience at least once in their careers. That acronym is DFL – dead f***ing last.

In the “winning is everything” ethos of competing, DFLing is something to be ashamed of, to avoid, to move on from. We assume that the DFLer choked, or didn’t train hard enough, or shouldn’t have entered the event in the first place. Sometimes we celebrate DFLers for their persistence and determination, like ski jumper Eddie the Eagle at the 1988 Winter Olympics. But more often than not DFLing is an embarrassment, and the only response that’s considered appropriate from the DFLer is either to quit competing or to work extra hard so as not to finish last again.

However, there’s another way to think about DFLs. As described in a recent article by runner Lauren Fleshman, a DFL placing can turn out to be (more…)

Disrupting Gender Stereotypes in the Media

My friend Sam Ford does a lot of interesting things, and one of them is teaching in the Popular Culture Program at Western Kentucky University. Last year, at a research conference, Sam was on a panel with another WKU professor, Ted Hovet  – and during that panel, Ted made a provocative proposal: “We should never ask students to do anything again in which the professor is the only person who sees their work”. Sam took that idea to heart. And now, at the end of every semester, he sends out an email with links to students’ videos, presentations, and research articles from his classes.

I always like getting that email from Sam, because his students’ work is so enjoyable. But this past semester, there was a presentation so exceptional that I thought it deserved a wider audience. Sam kindly put me in touch with three of the four students who did that presentation, and the students agreed to share their project on this blog.

Shelby Bruce, Katie McLean, Kalee Chism, and Paige Medlin were students in POP 201 (Introduction to Popular Culture), and the topic they chose for their end-of-semester presentation was “women in the media”. The Prezi of the entire presentation is available here, but the part of the presentation that really caught my eye was (more…)

“Open for Business”

When I took an art history course about Modernism, one of the subjects that I most enjoyed learning about was the Modernist photographs of industry and urbanization in the 1920s and 1930s. The work of photographers such as Charles Sheeler, Paul Strand, and E. O. Hoppé showed the unexpected beauty and majesty of purely functional structures. And the work of photographers such as Lewis Hine showed the humanity of the workers whose contributions were often overlooked in celebrations of industrial and economic growth.

Open for Business, an exhibition that is currently touring the UK, contributes to this grand tradition of photography that explores industry and commerce. When I visited the UK in April, I was lucky enough to see this show – which I stumbled across entirely by chance, (more…)

Musical Gifts and Kindred Spirits

In the movie Almost Famous, one of the characters gives this advice about life on the road: “If you ever get lonely, just go to the record store and visit your friends.” To me, that quote encapsulates two of the great things about being a music fan – that music itself is your friend, and that music can connect you to fascinating people all over the world. Serious music fans can be quirky and prickly, but if they recognize a kindred spirit, they can share some incredible discoveries.

I’m currently reading Respect, David Ritz’s new biography of Aretha Franklin. The book is remarkable not only for its blunt portrayal of Franklin’s life, but also for its thorough depiction of the many musical styles that influenced Franklin’s work. And what made me think about the wonderful community among music fans is the book’s description of Franklin’s early career. There are two references in there that would mean nothing to me without (more…)

All About Work’s Third Birthday

Today marks the third anniversary of the launch of All About Work. Writing and managing the blog has been a tremendous learning experience for me, as well as being a lot of fun.

In the blog’s three years of operation, its posts have received a total of nearly 95,000 hits. The most popular posts to date have been: (more…)

Bigger than We Ever Dreamed: Some Covers of “Royals”

I first heard Lorde‘s song “Royals” the same way I hear a lot of music for the first time – at the skating rink, on a CD made by one of the younger skaters. I remember being struck by the unusual lead vocal, and by how the song was so stark and sparse – with only drumbeats and snapping fingers as instrumentation – but also so rich, with the chiming backing vocals.  However, as with many CDs at the rink, that particular CD had no label, so I couldn’t find out who did the song. I tried to describe it to one of my friends, and she said, “Oh! That’s Lorde! Her record is phenomenal, you really have to get it.” So I bought Pure Heroine, and my friend was right – it is phenomenal. And “Royals” has since won Song of the Year at the Grammy Awards, and has charted all over the world.

One of the signs of a great song is (more…)

Population Ecology and “Handmade With Love in France”

One of my favourite events every year, the Vancouver International Film Festival, is in its final week. This year’s festival was a good one for me – I saw seven movies, and every one of them had something to recommend it.  But the one that I enjoyed the most was a French documentary entitled Handmade with Love in France. It is a heartfelt tribute to some very talented artisans, and – although I am pretty sure the filmmaker didn’t explicitly intend this – it also illustrates the organizational theory of population ecology.

Population ecology in organizational theory is based on the biological theory of evolution; it tries to explain why (more…)